Up&Atom caught up with Feed The Kid's frontman, Curtis Taylor for issue 7 of Up&Atom magazine. Here's a quick excerpt from that interview...

Up&Atom - Who are Feed The Kid? What’s the story behind the name?

Curtis Taylor - We are a five piece rock and roll band from Manchester. The full band line-up have been together for a year, but before we set that up, myself and Ciaran were writing a year before that. We are:

Curtis Taylor - Lead Vocals
Ciaran Egan - Lead Guitar
Dane Stubbs - Bass and vocals
Jake Murphy - Guitar
Adam Smith - Drums

The name came about as Adam became a dad very quickly (if you know what I mean..! We are young lads..!) Anyway, Ciaran and I were doing open mics, and we wanted to take it to the next step. Smithy needed a bit of help at the time, so we decided to go with the name, ‘Feed The Kid’, until we became more sturdy, then we’d probably change it. The idea was to get money from gigs which would go directly to Smithy. This didn’t happen - Anyone starting a band to get money, stop now! Needless to say, we never changed the name, as it seemed to gather pace and momentum very quickly.

U&A - You’re the frontman for the band. Every singer should think he’s the best, so who, throughout the whole of rock and roll history, do you think is second best? 

CT - I think you have to believe you are one of the best, and that you have your own style, because you have to stay true to who you are. You don’t want anyone knocking your confidence, changing how you sing or how you move. Look, I’m a singer from Manchester, and we have moved on from Oasis, but no one did it better than them. Rightly or wrongly, they didn’t take shit from anyone. I wouldn’t say I have that attitude, but all the band have that self-belief and the belief that music is all we will be.

Anyway, I wouldn’t say Liam gets in my top five singers. I don’t think he would put himself in the top five singers… Actually, he probably would! I believe a frontman must have a strong voice, but really has to be more than just a singer. I’d struggle to pick a favourite, but people who have influenced me are - Paul Rodgers, Marc Bolan, Roger Daltrey, James Morrison, Robert Plant, Rod Stewart and Freddie Mercury.

I didn’t realise I could sing until quite late in life. Someone said I could, so I gave it a go, and so far, it’s going alright! I don’t know if it’s an innate thing, but I have always had a yearning to create. I didn’t realise what until I was there on stage and I thought, this is me! This is what I’m supposed to be doing! I guess only time will tell if I am right or if we will fall flat on our faces at the first hurdle! But if you don’t believe it yourself, no one else will believe it either.

U&A - How hard do you think it is to make it in the music industry today? 

CT - It’s difficult. Everyone is at it. This is still very new to us, and I guess other people would be able to tell you more, but I can already see it all boils down to attitude. Sometimes, you don’t have to be great for your music to get played. I have seen some bands that have a false belief, others have the base to be great but they have forgotten how to change, how to take criticism and have a bad attitude (they think they’ve made it before they have even strummed a chord), and others should have picked up the guitar and put it back down again.

U&A - You have forged a career that blends music and fashion, which happen to be the two driving forced behind Atom Retro as well. Can you tell us about your sideline career in fashion?

CT - It’s weird, isn’t it? Fashion and music have always worked together. Different genres create different fashions. Even though each one of us believe we are an individual, we often conform to a group when it comes to music. Mods, Rockers, Punks, Hippies. Clothes are a creative response to the environment we are in at the time. We will look back and think what was that century about?! What the f**k is that guy wearing?! I have always worked within the clothing industry and trends come and go. I think trying to put any label on yourself is difficult, because if you are self-aware that you are going for a certain look, it all becomes a bit uncool. I try to be myself, but its an amalgamation of things I have listened to, seen and loved, that have inspired me to be who I am. However, I wouldn’t want to look at a photo of me aged twelve, with curtains, looking like Gary Neville! I don’t know what inspired that look, but I guess I was watching a lot of football, so I guess I subconsciously became a Neville.

U&A - In exactly 98 words, describe your sound! Repetition is frowned upon… 

CT - We have been described as; retro, blues, country, but I guess it’s just rock and roll. I think each band member listens to something different and this filters through. I think for now it’s hard to pinpoint what we are, I hope we are something new! All we can give you are the comparisons we usually get - T-Rex, The Doors, The Verve, early Pearl Jam, Free, Creedence, but my favourite is Oasis, if Noel Gallagher was the front man. I don't think anyone will count every word in this statement, but I guess we shall see.

Thanks to Curtis for this interview! 

Follow Feed The Kid:

Facebook - https://www.facebook.com/FeedTheKidMusic/
Twitter - https://twitter.com/feedthekidmusic
Soundcloud - https://soundcloud.com/feedthekidmusic


Would you like your band featured here? Email details to lindsey@atomretro.com and you could be the next Something For The Weekend! (All types of music, bands and artists welcome! All genres, signed, unsigned, young and old!)

The long-awaited issue 7 of Up&Atom is out now! Free with all orders of clothing and/or shoes (while stocks last)!

The fab new issue features:

• Instant Karma: Interview with Craig Sams, the man who brought the Afghan Coat to the UK!
• Ballroom Blitz: Interview with Michael Stanfield of mod band, Blackdog Ballroom. 
• Feed The Kid: We chat to Curtis Taylor, frontman of indie rock band, Feed The Kid. 
• This is MODTreal: The Fab Four's Gavin Pring talks to Patrick Foisy about the Canadian mod festival, MODTreal.
• A Pint With... David Pottinger: Kevin Stone has a swift half with mod blogger, David Pottinger. 
• The Girl With The Strawberry Hair: Interview with singer-songwriter, Sarah Beatrice.
• Who's Next play The Most Famous Club In The World, The Cavern, Liverpool. 
• Plus: Newgate Clocks, Irregular Choice Shoes, Dr Martens Boots, Weekend Offender and more! 

Want to get your mitts on a copy? Simply place an order at www.atomretro.com or www.madcapengland.com!

Up&Atom is free with all orders of clothing and/or shoes, until stocks run out.

(Some of the articles will also be featured on the Up&Atom blog - right here!)

Terry Rawlings at Decca Records, 1980

Through his vast knowledge of music from both working within the industry and as a fan, author Terry Rawlings has created works worthy of any music connoisseurs collection. His impeccably researched Mod: A Very British Phenomenon and Brian Jones: Who Killed Christopher Robin? are staple books in many a household and he has earned a reputation as an authoritative figure within the mod scene. Gibson London’s Simon Parr invited Terry to his London Showroom and this is what he had to say:


Simon Parr: How did you first become a writer? 

Terry Rawlings: I was expelled from school in the 5th year for doing graffiti on the walls outside the school gates. The school was at Dockhead, and we were right on the docks. I got the white liner that was used to mark out the pitches and I wrote all along the back where the docks were, ‘Mr Shields is a c***’. My friend was up a wall, painting over a lot of graffiti and I thought I can’t let him take the blame for it so I stupidly owned up. After I was expelled, I didn’t really have a career or anything in mind until I got a job in the post room at Decca Records, which [DJ and presenter] Gary Crowley got me. I just sort of replaced him. He left on the Friday and I started on the Monday. It was sort of like-for-like because we both dressed the same and the studio manager just thought it was one parka for another. From Decca Records I went onto Sire Records, where we were doing this Small Faces fanzine. Paul Weller liked the fanzine and it was Paul who opened the door for me to start writing. Paul Weller, after getting our fanzine, started one of his own up called Decembers Child and I did some bits and pieces for that, and it was him who suggested I should write a book.

SP: And that was All Our Yesterdays? The Small Faces Book? 

TR: Yes. I was working for Sire Records (Home of The Ramones and The Pretenders) and me and a friend of mine, Tony Lordon - he was the bass player in Department S (of Is Vic There? fame) - we used to do a fanzine called Sha La La La Lee (not very imaginative, I know!) about The Small Faces. Back then, we’re talking about 1980, The Small Faces had been totally forgotten, nobody knew about them; the profile they’ve got now wouldn’t have been dreamed of back then. The only album you could get was on Charly Records, anything else you couldn’t get hold of. Paul Weller had got into The Small Faces. He was a big fan of The Kinks and The Who, and he got into The Small Faces too.

We used to do the fanzine on the photocopier in the Sire Records office and Paul would come and get it. We’d done about three issues and then he suggested the idea to do a bigger version of it, like a pamphlet or a mini- book thing, which we called All Our Yesterdays. I’d found all these photographs that hadn’t been seen back then. Nobody cared about them. They had reformed once and no one cared. The band had 3 of the Small Faces in it and they’d been playing pubs.

SP: That was minus Ronnie Lane wasn’t it? 

TR: Yeah, he came back for about a day and then they had a bit of a punch up and he left again, so Rick Wills from Foreigner, who’s in Kenny Jones’ band now, joined instead. But they couldn’t get arrested, you know? They didn’t look like The Small Faces, to be honest, they looked like Smokie, you know, all weird.

So, Paul came up with the idea of doing a better version of the fanzine and that was my first attempt at writing something. We did this little pamphlet thing that he got printed up, and they sold them on The Jam’s merchandising stall at the gigs. We re-printed it a few times. It started to turn people onto The Small Faces. It reminded people [of them]. I never big myself up about it but it was the only thing you could get then on The Small Faces and it caught people’s imaginations. People only knew about The Who and The Kinks, in that ’79 Mod Revival, and they didn’t know about The Small Faces. It started a little Small Faces revival, I’m pretty sure, and look at where it is now. I don’t even have a copy of the book anymore, which is quite sad. It wasn’t a great literary advancement on my part, but after that Paul suggested I do another book, a serious book, and that turned out to be twenty years of researching the Brian Jones murder. So it was down to what Paul said and his help that got me going, so I owe it all to him.

SP: That became Who Killed Christopher Robin: The Truth Behind The Killing Of Brian Jones, about the life and death of Brian Jones from The Rolling Stones. 

TR: When I worked at Decca, it seemed everybody had been there since the 1960s and they all had a story about Brian Jones and speculated on his death. The edition that is out now is the third edition. We had to do a second edition when we realised how many mistakes we’d made in the first, after we got new information, new police files, new home office files and more interviews. We’d realised we’d made so many glaring mistakes in the first one we had to do a second one just to put it all right. So we had about 80% of the story put right in the second edition, but there were still massive areas where we weren’t sure of things.

Then I got ill and I was out of the game for about a year when I had cancer and in the meantime I heard a guy had beat me to the new police files which had been released after forty years. Paul Spendel was going to do a book and he was asking me for help. I said, ‘Listen, it’s only right that I’ve done this much work and you’ve just jumped in at the last minute and got the last files because I was ill, why don’t you join me and we’ll put out a third edition - that is the ultimate edition - and we’ll share the grief and the glory, so to speak?’ He was a nice fella and he was up for doing it, so it made sense to collaborate.

Issue 5 of Up&Atom magazine, originally published in April 2015 is now available to be read online!

Featuring John 'Teflon' Sims and his 2-Tone art, film director Jonny Owen, author Terry Rawlings, Black Noire and more.

Read it here!

Issue 6 of Up&Atom is out now! Free with all orders of clothing and/or shoes (while stocks last)!
The fab new issue features:

• 20 Years since The Britpop War - Let's decide it, once and for all - Oasis or Blur?! Win a fab FLY53 Britpop tee by telling us why either Oasis or Blur are the reigning Britpop Kings (www.atomretro.com/britpop)
• A Pint With... Drew Hipson: Kevin Stone chats with All Mod Icon editor, Drew Hipson. 
• Who's Next? Being Pete Townshen with guitarist, Dante DiCarlo from Who's Next
• Mama Roux: Win a signed copy of the Mama Roux debut EP
• Ian Moore: Comedy, France and proper chutney stress with stand up, Ian Moore
• 'Til It's Overtures: Interview with Den Pugsley of top 60s band, The Overtures
• Ev'rything's Coming Up Dusty: A chat with Arabella Rodrigo, co-star in the new Dusty Springfield musical in the West End. 
• The Magic Mod: Interview with the Mod-est Magician you'll ever meet! 
• Plus: Gola Classics, Wrangler Jeans, Bass Weejuns, Traffic People and more! 

Want to get your mitts on a copy? Simply place an order at www.atomretro.com! Up&Atom is free with all orders of clothing and/or shoes, until stocks run out. (Some of the articles will also be featured on the Up&Atom blog - right here!)